Monday, March 18, 2013

Photo Equipment Backpacks Part IV: My Favorite Backpacks

Lowepro Dryzone 200In Part I, of the Photo Equipment Backpack series, I discussed making sure the backpack was properly fitted to ensure the gear inside could be carried comfortably.

In Part II of the series, I discussed the competing needs of in-transit and shooting backpacks, and why those needs have prevented “cross-over” backpack design success, to date.

In Part III of the series I discussed how to ensure photo backpacks will have the required capacity, and what features are essential in quality photo backpacks.

In this conclusion of the Photo Equipment Backpack series, I'll discuss my five favorite backpacks, and why I like them, as well as explain why one of these backpacks is likely the precursor to a truly workable “cross-over” backpack, able to handle both in-transit and shooting uses.

Photography Exhibition: The Getty Museum - In Focus: Robert Mapplethorpe

Calla Lily, Robert Mapplethorpe, 1988; print 1990The Getty Museum in Los Angeles, California, regularly has extraordinary photographic exhibitions. In Focus: Robert Mapplethorpe is no exception.

This exhibition will run through March 24, 2013

“A tastemaker and provocateur, Robert Mapplethorpe was one of the great photographers of the second half of the twentieth century. His highly stylized explorations of gender, race, and sexuality became hallmarks of the period and exerted a powerful influence on his contemporaries.

Wednesday, March 13, 2013

Photo Equipment Backpacks Part III: Sizing for Equipment & Features

Think Tank Photo StreetWalker Pro Backpack, photo courtesy of Think Tank PhotoIn Part I, of the Photo Equipment Backpack series, I discussed making sure the backpack was properly fitted to ensure the gear inside it could be carried comfortably.

In Part II of the series, I discussed the competing needs of in-transit and shooting backpacks, and why those needs have prevented “cross-over” backpack design success, to date.

This week I'll discuss how to ensure your photo backpack will have the capacity you need, and what features are essential in quality photo backpacks.

In order to size your backpack, make a list of potential destination types and locations you wish to photograph: cities, seashores, seas, mountains, rural areas, national parks, historic sites, religious buildings, wildlife, architecture, sporting events, family get-togethers, etc. Then determine what equipment you would use for each. Finally determine what combination of destinations, locations and photo shoots, you'd likely visit in one journey. Once you've completed those lists you'll know what equipment your backpack(s) will need to carry, and therefore the size backpack you'll need.

TSA policy change affects Tripods in carry-on

Transportation Security Administration LogoTSA Administrator John Pistole, speaking at a conference in New York on March 5, 2013, announced a major policy change for carry-on items beginning April 25, 2013. While it doesn't name tripods themselves, it clearly implies a change in attitude toward them being taken into airplane cabins in the US.

The details of the policy change were detailed in a statement on TSA's website. In the statement on Changes to the Prohibited Items List it says,

“Through TSA’s layered approach to security, and to align more closely with International Civil Aviation Organization standards, effective April 25, 2013 TSA will allow knives that do not lock, and have blades that are 2.36 inches or 6 centimeters or less in length and are less than 1/2 inch in width, novelty-sized and toy bats, billiard cues, ski poles, hockey sticks, lacrosse sticks and two golf clubs as part of their carry-on baggage. This is part of an overall Risk-Based Security approach, which allows Transportation Security Officers to better focus their efforts on finding higher threat items such as explosives.”

Monday, March 4, 2013

Photo Equipment Backpacks Part II: In-transit vs. Shooting Use

Ned's favorite When advising photographers about backpacks, I've often found they've neglected to consider how well the backpack fits when making their choice.

I'm constantly saying, “A photo equipment backpack, first and foremost, must be designed as a great backpack, with a well designed harness, and must fit its user properly.”

In Part I of my “Photo Equipment Backpacks” series I discussed the importance of having a backpack fit well to ensure one's photo gear can be carried in it comfortably.

How it's used, is equally important. The two major uses of photo gear backpacks, are in-transit and shooting.

In-transit backpacks are designed to maximize the amount of photo and related gear they can carry, often including laptop computers and tablets. In-transit backpacks need to carry the photographer's total kit chosen for each journey. When out shooting, the in-transit backpack provides safe storage for gear not needed that day.

Shooting backpacks are designed to carry the photo gear needed for a day's shooting, while simultaneously carrying the non-photo gear needed for the day, including food, drink, clothing and emergency items. Photographers' daily shooting needs can change substantially, as one visits different venues with divergent shooting opportunities.

Let's look at the competing needs of in-transit and shooting backpack designs.

Photography Exhibition: Philadelphia Museum of Art - Treasures of the Alfred Stieglitz Center

Group of Leaves on a Tulle Background, Charles AubryThe Philadelphia Museum of Art has become one of the foremost exhibitors of fine art photography in the nation. Treasures of the Alfred Stieglitz Center: Photographs from the Permanent Collection is an exhibition worthy of the Museum's outstanding international reputation for photographic art.

This exhibition runs through April 7, 2013.

The exhibition showcases highlights from the Museum’s photography collection, tracing the medium’s history as a visual art form.