Daylight Saving Time and your camera

In most locations of North America, we just reset our clocks, moving the time forward one hour, in the “wee” hours of the morning, on Sunday, March 8^th, to begin “Daylight Saving Time,” or “Daylight Time.” In some parts of North America, such as the states of Arizona (except for the Navajo Nation lands there) and Hawaii in the US, and most of Saskatchewan in Canada, “Daylight Time” isn't used. They stay on “Standard Time” throughout the year.

North America isn't alone in the world moving it's time forward in the spring and back in the fall. Across the globe, 79 nations use “Daylight Time” in at least part of their country. The Falkland Islands stay on “Daylight Time” throughout the year. Most countries on Earth, 159 at this time, remain in “Standard Time” all year.

For those countries which use “Daylight Time,” the date on which “Daylight Time” starts and ends varies from country to country, set by government regulation or law. It also varies according to which hemisphere each country is located, north or south.

Happy New Year 2020 - Change your camera's copyright notice!

Happy New Year. I hope it's a happy and healthy year for you!

It's January 1, 2020. That means we may or may not be starting a new decade.

While it may look obvious that a new decade has begun, if we're consistent within our Gregorian calendar counting, we'll have to wait another year before that happens.

There's confusion about when decades start because Pope Gregory XIII, who in 1582 introduced the calendar most of the world uses, didn't start the calendar with year “0,” but started it with year “1.” In fact, in the Gregorian calendar, there is no year “zero.” From the year 1 BCE (formerly BC), the calendar goes to 1 CE (formerly AD).

Therefore, when a new century or millennia starts, it begins on a year that ends with a “1,” not a “0.” So, to be consistent, new decades should really start with a “1” too, but since we talk about decades belonging to teens, twenties, thirties, forties, etc., most people have gotten used to thinking decades start with the year at “0.”

It's time to reset your camera's copyright notice

Regardless of whether or not today starts a new decade, it does start a new year. That means it's time to reset the copyright notice in your camera to reflect the new year. Make sure your 2020 images have the correct metadata information embedded in them.

Photographing on railroad tracks can mean your death!

Last month, a 17 year-old teenager from Oregon was having his high school senior portrait made. He and the photographer decided it would be a great idea to shoot it along railroad tracks. It wasn't a great idea. The young man was struck and killed in the midst of the session, while on the tracks, by a Union Pacific train in Troutdale.

A Union Pacific spokesperson said, “Our thoughts are with the teen’s family and friends. We plead with parents, students and photographers to not take photos on or near the tracks.”

Earlier this month, the Shiawassee, Michigan County Sheriff's Department reported that a photographer photographing the legendary Pere Marquette 1225 steam engine, known as the “North Pole Express,” featured in the animated film The Polar Express, was almost killed. In the words of the Sheriff's office, people “don't always use good judgment when watching or photographing her along the way.” A photographer had part of her coat literally ripped off her by the passing engine as she was photographing it. Fortunately, unlike the Oregon teenager, she's still alive and hopefully a lot wiser.

Making photographs while on train tracks and in train yards is very dangerous.

Street Photography: Children — law, morals & ethics, commonsense

Henri Cartier-Bresson was a 20th century French photographer. He is considered the father of photojournalism and perhaps the most important pioneer of street photography.

Cartier-Bresson was more than a street photographer. His images transcended the genre in a way that street photographers aspire, but rarely achieve. Cartier-Bresson was a humanist photographer. His photographs tell the stories of human endeavor, customs, social and economic class, human character and characteristics, behavior and distinctiveness. His photographs purposefully witness human nature.

Cartier-Bresson walked the streets of the world from the 1930s through the early 1970s, after which he retired to drawing and painting until his death in 2004.

There was little fear of public photographers while Cartier-Bresson walked the streets of the world with his 35mm Leica, unlike the last four decades which have seen increasing fear of public photography, rising almost to hysteria after 9/11. Today, street photographers, particularly those photographing children, must balance their desire to capture candid storytelling moments, with the potential of physical attacks, and social media witch hunts with the potential to destroy one's reputation and career.

Wildlife photography ethics: Doing what's right!

A few years ago, I was traveling in Greenland. We landed ashore at Renodde, off Scoresby Sund, a large fjord system on the east coast of Greenland. It's rugged terrain there. Renodde is known for its muskox. Muskox are Arctic hoofed mammals of the Bovidae family. They're large, with adults averaging 4–5 feet high (1.1–1.5 meters) and weighing about 330–880 pounds (150–400 kilos), yet around humans, they're timid.

I was in the first group from our small ship to take a zodiac to land on Renodde. We hiked inland and climbed up to the top of a ridge. We noted the wind in order to stay downwind of any muskox we might encounter below the ridge. We put our cameras on silent mode and told those with us to stay low and speak in whispers.

As we slowly edged our heads above the ridgeline we were greeted by a male muskox on the large plateau below us, less than 150 feet (46 meters) away. To have one that close is a major treat. It was part of a four muskox herd. The others were about 1,000 feet (0.3 kilometers) away. The topography of the ridge made photographing the muskox difficult. Using my experience, I carefully moved to a better shooting position, bringing two others with me to the cutout where we could still remain hidden. I was able to make about a dozen images when it happened.

Photographing July 4th fireworks with your camera or smartphone

Thursday is July 4, Independence Day, in the U.S. The nation's second president, John Adams, is in large part responsible for how it's celebrated. In his July 3, 1776 letter to Abigail, his wife, he said that the day should be celebrated “with Pomp and Parade, with Shews, Games, Guns, Bells, Bonfires and Illuminations from one End of this Continent to the other from this Time forward forever more.”

The Pennsylvania Evening Post stated that in Philadelphia on July 4, 1777, “The evening closed with the ring of bells and at night there was a grand exhibition of fireworks (which began and concluded with thirteen rockets) on the Commons and the city was beautifully illuminated.”

Fireworks are extremely bright and persist for a few seconds, typically against an almost black background. Focus and particularly the exposure settings for fireworks' photos aren't straight-forward. If you're traveling in the U.S. this week, here are my fireworks' photography tips for digital cameras and smartphones.

Nature Photography Day - June 15

Next month, we'll be celebrating National Nature Photography Day.

It's occurs on June 15 every year. The original date and day was first created by the North American Nature Photography Association in 2006. It was created to “promote the enjoyment of nature photography and to explain how images are used to advance the cause of conservation and protect plants, wildlife, and landscapes locally and worldwide.”

Celebrating National Nature Photography Day couldn't be easier. Pull out your camera or your smartphone, head outdoors and start making photos. Considering visiting a national, state or local park. Go to a national, state or local wildlife refuge. Enjoy at least one of these wonderful venues on this special day.

In the Greater Philadelphia Region? Join me on the 15^th!

If you're in the Great Philadelphia Region, I've got another way for you to enjoy National Nature Photography Day. Join me at the John Heinz National Wildlife Refuge for my National Nature Photography Day Photowalk. The photowalk is free and open to the public. The walk will start at the Refuge's visitor center at 8am. The walk is over level terrain, but wear comfortable shoes. We'll finish by noon.

We'll be photographing summer birds and other animals, plus have landscape opportunities. Remember that it's not a zoo, so viewing wildlife can be unpredictable at times. There will be known areas where birds typically hang-out, but I'll hope for some surprises too. We'll walk along the Impoundment Pond loop, go to the edge of the freshwater tidal marsh in the Refuge and through other habitats there.

The Heinz Refuge is America's first urban refuge and is located near Philadelphia International Airport.

For up-to-date information about this photowalk follow me on the NSL Photography Facebook Page and on the NSL Photography Twitter Feed.

Beware, selfies can be hazardous to your health

Since March 26, three tourists visiting the Grand Canyon have died in the famous national park. The identities of two of the dead are unknown, as are the full circumstances of their deaths. We know that one fell to his death from the South Rim at Grand Canyon Village.

The third tourist who died was from Hong Kong. He tripped near the Grand Canyon's Skywalk while shooting a selfie at the edge of the rim and fell hundreds of feet to his death.

That death follows numerous, needless selfie deaths that occurred around the globe last year.

Using photography contest judging criteria to help photographers self-assess

Many photographers struggle to create an insightful set of principles to self-assess their work. Getting a critique from trusted photographers is an excellent idea, but without regular in-depth, honest image critiques of their own work, photographers will have a tough time improving and growing.

I offer for consideration, using the criteria photography contest judges use to assess images, as the basis for photographers to develop their own workable, rational approach to self-assessment.

When I began to ask colleagues for assistance, by having them critically assess my work, I found that they typically zeroed into the technical aspects of my images. While there is little doubt the quality of focus, bokeh, color, exposure, lighting, composition, etc. are important, I knew that there were other issues that should be included in any image critique. Over the years I developed my own assessment checklist.

Interestingly to me, many years later, when I began to be invited to be on photography contest juries, I found that my list and the contests' guidelines for judging entries were essentially the same. Therefore, for photographers serious about improving their craft today, rather than struggle to create their own checklist, I suggest using the criteria developed by photographers to judge work in photo contests across the globe.