Showing posts with label ISO. Show all posts
Showing posts with label ISO. Show all posts

Monday, January 14, 2019

Eclipse Alert: Total lunar eclipse coming January 20/21, 2019

Super Blood Moon - Image courtesy of NASAOn Monday, January 21, 2019 from 0236 GMT until 0748 GMT there will be a total lunar eclipse. For those in the U.S., I'll translate. The lunar eclipse will run from Sunday, January 20, 2019 at 9:30pm EST until Monday, January 21, 2019 at 2:45am EST.

In North and South America, the entire eclipse will be visible from the penumbral, to partial, to full eclipse and back again. Other parts of the world will be able to see all or much of the lunar eclipse, though much of Asia and Oceania will miss it entirely.

Monday, August 14, 2017

Planning to photograph the Continental U.S.' first total solar eclipse in 38 years?

Solar Eclipse, Libya 2006 - Copyright © 2006 NH53As long as a year ago, many photographers made reservations to ensure they would be in the direct path of the totality of the upcoming total solar eclipse. It takes place next Monday, August 21. The last total solar eclipse seen in the Continental U.S. occurred in 1979. Fortunately for photographers the totality of the approaching total solar eclipse will be seen in parts of fourteen states, so there are plenty of places to setup one's gear to make full eclipse images.

For those unsure of what it is, a total solar eclipse is when the disk of the moon completely blocks out the disk of the sun. This will be seen in a path across the U.S. from Oregon to South Carolina, about 70 miles wide, called the “path of totality.” Outside that “path,” those viewing the eclipse will only see a partial eclipse. The further away watchers are located from the “path,” the less sun will be hidden behind the moon.

Thursday, June 29, 2017

On July 4th, are you photographing fireworks?

Fourth of July fireworks at the Philadelphia Museum of ArtThe U.S. has celebrated its independence with fireworks in towns and cities across the nation since 1777. History tells us John Adams, second President of the U.S. is in large part responsible for the way we celebrate the Fourth of July. In his July 3, 1776 letter to his wife, Abigail, he said that the occasion should be celebrated “with Pomp and Parade, with Shews, Games, Guns, Bells, Bonfires and Illuminations from one End of this Continent to the other from this Time forward forever more.”

The first Independence Day commemoration occurred the next year in Philadelphia. The Pennsylvania Evening Post stated, “The evening closed with the ring of bells and at night there was a grand exhibition of fireworks (which began and concluded with thirteen rockets) on the Commons and the city was beautifully illuminated.”

Sunday, January 31, 2016

Getting it sharp from a telephoto

Nikon D4 with Nikkor 500mm lens on tripod with ball head and long lens supportTelephoto prime and zoom lenses are among the most useful lenses for a wide variety of genres. They are used for sports, wildlife, travel, and street photography. Many photographers use them for portraits and close-up shots as well.

Technically, telephoto lenses have a focal length or 60mm or more for a standard 35mm or full sensor size camera, though most people think of telephoto lenses having a focal length of 85mm or more. Lenses with a focal length greater than 300mm are considered to be super-telephoto lenses.

Telephoto lenses help us bring distant subjects closer, fill our frame with the subject, show detail difficult to see, capture action, and produce a shallow depth of field.

Tuesday, January 12, 2016

Avoiding Beginner Photography Issues and Mistakes Revisited

The Canals of Bruges, BelgiumTravel photography requires versatility and knowledge of a variety of photographic genres. Beginners must be serious about learning the craft if they want to produce solid travel images. When engaged in travel photography, beginners have two major issues to overcome; a lack of confidence and a lack of basic photo knowledge.

It's hard to study and learn from practical experience when you have little confidence in your equipment. Often, when I'm leading photowalks or workshops I hear, “If only I had your gear.”

Monday, September 7, 2015

Intro to Night Photography: Cityscapes — Focus, Noise, Exposure, Effects

Belfry and Cloth Hall, Bruges, Belgium - Copyright © 2009 NSL Photography. All Rights Reserved.At night in a city, virtually any city, the scene before you changes dramatically. In some locations the architecture and spirit of the city is merely enhanced, shown with a different, though recognizable look.

In other locations, the city at night transforms into a new place, sometimes brighter and more adventurous, sometimes more alive and mysterious.

Either way, making images of cities at night can allow you to often capture a “new city” with a different life than it has during the day. Making photos at night has its own challenges, but it's still subject to the same set of constraints as daylight photography; aperture, shutter speed and light sensitivity. The difference is, these constraints often push you and your equipment “to the edge,” compared to photographing the same city during the day.

Last week I discussed night photography trade-offs and constraints, the potential of star trails at times, and the equipment needed to produce high quality night photography in cities.

This week we'll get down to the nitty-gritty of actually making our night cityscapes. We'll talk about focus, noise and camera settings

Monday, August 31, 2015

Intro to Night Photography: Cityscapes — Constraints and Equipment

Paris Las Vegas, Eiffel Tower - Copyright © 2014 NSL Photography. All Rights Reserved
At night in a city, virtually any city, the scene before you changes dramatically. In some locations the architecture and spirit of the city is merely enhanced, shown with a different, though recognizable look.

In other locations, the city at night transforms into a new place, sometimes brighter and more adventurous, sometimes more alive and mysterious.

Either way, making images of cities at night can allow you to often capture a “new city” with a different life than it has during the day. Making photos at night has its own challenges, but it's still subject to the same set of constraints as daylight photography; aperture, shutter speed and light sensitivity. The difference is, these constraints often push you and your equipment “to the edge,” compared to photographing the same city during the day.

Friday, July 3, 2015

Photograph fireworks like a professional

4th of July, Philadelphia, PAThis week in the United States we'll celebrate our nation's birth. In Philadelphia, America’s birthplace and it's first capital, that means after a concert at the foot of the Philadelphia Museum of Art, with more than a half million people in attendance, all will also enjoy one of the largest, most spectacular fireworks displays in the nation, with many more watching on television.

If you're in Philadelphia, look for me shooting the festivities and fireworks, just southeast of the Philadelphia Museum of Art.

Here are some of my tips so you can photograph the fireworks near you, like a pro, using your digital camera:

Tuesday, May 26, 2015

What makes a photograph great?

At the 9-11 Memorial, New York City, Stephen P. Russell
It seems to never fail, that in an exhibition of photographs, there are always one or two which stand out from the rest. Even though decisions are mostly subjective about how great an image is, most people zero into the same few images they consider great.

Invariably it's not one or two characteristics of an image that make it great, but a host of them, and how they work together. Contrary to popular belief, the qualities which make a great photograph aren't a secret of professional photographers and editors. Anyone who thinks about it, can figure it out.

Tuesday, December 30, 2014

Shooting new year's fireworks in cold weather

Fireworks in PhiladelphiaWhile it's not as cold in most of the northern hemisphere as it is in Prudhoe Bay, Alaska and Longyearbyen, Svalbard, it still can be frigid enough to affect your new year's fireworks photography.

To photograph new year's fireworks in icy weather, photographers must combine good cold weather practices, night photography techniques, and the specific exposure requirements necessary to capture fireworks images. If you don't have a DSLR, don't think you can't make great fireworks images. With intelligent use, quality digital point and shoot cameras can make these photos too.

Friday, July 4, 2014

It's US Independence Day: Time to celebrate and photograph spectacular fireworks

Fireworks at the Philadelphia Museum of ArtToday, in the United States we'll celebrate our nation's birth. In Philadelphia, America’s birthplace and it's first capital, that means the annual “Philly 4th of July Jam and Grand Finale Fireworks” held at the foot of the Philadelphia Museum of Art tonight, where more than a half million Philadelphians and visitors will enjoy one of the country's best Independence Day concerts. This year it will star The Roots, Ed Sheeran, Nicki Minaj, Jennifer Hudson, Aloe Blacc, Ariana Grande and Vicci Martinez performing live, with actor and comedian Marlon Wayans serving as host, followed by one of the largest, most spectacular fireworks displays in the nation.

I'll be there. If you're there too, look for me south of the Art Museum.

This year I'm going to continue experimenting while photographing the fireworks. I'm going to use a variety of neutral density filters to enable me to use longer exposures, and capture more fireworks' bursts in my images. I'll be experimenting with neutral density filters which add 1, 2, or 3 f/stops to my exposure. I'll explain below what that means in terms of shutter times.

Sunday, June 30, 2013

Traveling in the US: July 4th, and its fireworks are just days away

Fireworks at the Philadelphia Museum of ArtNext week, in the United States we'll celebrate our nation's birth. In Philadelphia, America’s birthplace and it's first capital, that means after a concert at the foot of the Philadelphia Museum of Art, more than a half million people will enjoy one of the largest, most spectacular fireworks displays in the nation.

I'll be there. If you're there too, look for me south of the Art Museum.

This year I'm going to be experimenting while photographing the fireworks at the Art Museum. I'm going to use some neutral density filters to enable me to use longer exposures, enabling me to capture more fireworks' bursts in my images. I'll be experimenting with neutral density filters which add 1, 2, or 3 f/stops to my exposure. I'll explain below what that means in terms of shutter times.

Tuesday, June 12, 2012

Tips to capturing aquarium images while traveling

Raccoon Butterfly fish, native to Hawaiian waters in the Pacific OceanThere are amazing public aquariums for travelers to visit for hours of great enjoyment and learning. Some house more than 10,000 colorful and interesting wildlife species.

Photographers in public aquariums encounter a myriad of challenges; fish in constant motion, darkness, dirty glass walls, water which washes out even the brightest colors, and general bans on tripods, monopods and flash use.

Here's my public aquarium photography tips to assist in capturing great images from your visit:

Wednesday, March 9, 2011

Choosing Lenses for Your DSLR Travel Kit, Part I

Nikkor AF-S VR Micro-Nikkor 105mm f/2.8G IF-EDTravel photography has many challenges. Among them are unpredictability, luggage weight limits, number of luggage pieces permitted, locations with unknown restrictions, bad weather when you least expect it, and many others.

When planning for a trip photographically, one of the most important decisions anyone must make is what lenses to include in your travel photography “kit.” Destinations usually have a variety of photo opportunities which may require a variety of lenses to meet their challenges.

There are two major factors which militate the amount and choice of gear you choose for your photo travel “kit.” The first is travel weight and volume restrictions, and the second is the varying conditions, limitations and circumstances of your destination's photographic opportunities.

Thursday, November 11, 2010

AE, AF, FV locks demystified

San Diego Wild Animal ParkWhile many digital cameras today don't have an FV lock, virtually all have an AE and AF lock. Unfortunately, few digital camera owners know what these locks are, nor that their cameras have them. It's unfortunate because they are extremely useful camera features.

Here's a basic description of each lock:
  • AF-L or AFL — Autofocus Lock: When using auto focusing, this locks focus even when the camera is moved to recompose the photo, prior to making the photograph.
  • AE-L or AEL — Autoexposure Lock: When using any of the automatic or semi-automatic exposure modes, this locks the exposure settings, even if the light changes or the camera is moved, prior to making the photograph.
  • FV Lock —  Flash Value Lock: When using an automatic setting for your built-in or external flash, this locks the power output level of the flash, even when camera is moved, to recompose the photo, prior to making the photograph.
I use these locks often, especially the AF Lock. I consider the AF Lock as essential as the ISO, Shutter Speed, and Aperture exposure controls.

Wednesday, June 30, 2010

It's July 4th...time for the fireworks challenge.

July 4th fireworks in PhiladelphiaOn Sunday, we in the US celebrate the birth of our nation. If you've traveled to Philadelphia, the nation's first capital and America’s birthplace, immediately after the Life, Liberty & You Concert in front of the steps (Some call them the “Rocky” steps from the Rocky movies in which the fictional character, Rocky Balboa runs up the steps.) to the Philadelphia Museum of Art, more than 500,000 people will enjoy one of the largest and most spectacular fireworks displays in the nation.

That’s my segue for my tips for photographing fireworks. Here’s what you need to do to capture them this July 4th.

Monday, February 22, 2010

Photographing motion with your still camera

Caesar's Palace, Las Vegas“Photographing motion with your still camera” sounds like an oxymoron, doesn’t it.

Actually photographing motion with a still camera can produce startling photographs showing details you can’t see with your eye, or in a standard speed video. Not only that, you can make a still photograph of motion which can even give you the feel of motion.

You can use your DSLR, SLR, or Point and Shoot camera to either stop motion completely, freeze everything in motion in your photograph, which is the option most travelers take, or you can capture motion itself, by showing a bit of a blur, where you control what’s blurred and how much blur you show.

Travelers often find “motion” photo opportunities during their journeys. This week I will discuss some basic ways to capture motion, and in a later article, discuss more advanced techniques to capture the feel of motion in a still photograph and have some fun and extra creativity while making the photos.

Monday, January 11, 2010

Night Photography: Overcoming the Obstacles, Reaping the Rewards

Bruges: The Belfry and Cloth HallIn last week’s article, Night Photography: Pushing the Limits, Understanding the Obstacles, I discussed some of the difficulties encountered in Night Photography.

In this week’s article, I’ll discuss how to overcome those problems to produce wonderful night images which help tell one’s travel stories.

When it’s possible to use one, the tripod is absolutely the best tool for photographers to make great night photographs. A well-chosen tripod with a quality “head” can enable photographers to hold their cameras motionless to create high quality night photographs.

Monday, January 4, 2010

Night Photography: Pushing the Limits, Understanding the Obstacles

Las Vegas at NightPhotography at night has plenty of obstacles, but is also full of rewards for travel photographers.

Many locations have interesting sights and looks during the day, and a whole host of different sights and looks, and another atmosphere in the evening. Las Vegas many interesting photographic opportunities during the day, but it seems as though it’s at night that Las Vegas really comes alive. The night photography opportunities in Las Vegas are almost limitless.

Paris at night: view from the Eiffel TowerAnother location with great night photography opportunities is the “La Ville-Lumière” (The City of Light). While Paris, France, was originally given that nickname due to its fame as a center of education and thought during the Age of Enlightenment (eighteenth century), its early adoption of street lighting (In 1828, Paris began lighting the Champs De Elysées with gas lamps. It was the first city in Europe to do so.), and its use of electric light beginning in the 19th century for street lighting and later to illuminate monuments established the nickname forever.

Monday, December 28, 2009

Photographing fireworks in winter weather

July 4th fireworks in PhiladelphiaAs Thursday night becomes Friday morning this week, we’ll go from New Years Eve to New Years Day. Across much of the country that means fireworks.

Photographing fireworks takes planning and knowledge at anytime, but January 1st in much of North America also means it will be cold. Cold weather offers additional challenges for fireworks photography.

Here are my tips for photographing fireworks in cold weather.