So, you're going on a Photowalk? Help yourself enjoy it!

Some might say that if you take your camera and go for a walk, you're on a photowalk. While it's true you would be making photos while you walk, it's not really a photowalk as it's known today.

These days, photowalks are organized events. They typically involve photography of a specific area or genre.

For example, I lead wildlife photography photowalks at the John Heinz National Wildlife Refuge ten months per year, as well as travel photography photowalks in Philadelphia, New York, Washington and other cities. I've also led photowalks in botanical gardens for participants to learn about and practice macro/close-up photography, in national parks for landscape photography, at night for night photography, and in cities for street photography.

A critical part of photowalks is their social aspect. Photowalks are for group of photographers, who may or may not know each other. A photowalk permits group interaction to enhance the experience by have participants help each other technically and artistically.

Some photowalks have a leader to organize and lead the walk as well as share their expertise. Sometimes a group self-organizes their own walk, such as a photography club, for a shared photowalk experience.

Does the perfect camera gear bag exist? Is it possible to design one?

Permit me to remove the suspense before I even start. There's no such thing as a perfect camera gear bag.

I've been in the midst of a discussion for a couple of months about the perfect camera gear bag. Many photographers have two, three, four, perhaps more camera gear bags. For this article I counted mine. I have seven camera gear bags, plus Pelican cases for shipping or hauling gear for various special shoots.

The problem is, all bags have some strengths and weaknesses. Many bags are general purpose, while others are for specific uses.

There are shoulder bags, belt bags, belt systems, sling bags, roller bags, and backpacks to haul photo gear. I use a backpack when in transit, a smaller backpack hiking, when shooting wildlife images, a Dryzone backpack by Lowepro for rain, snow, rainforests or rafting and a modular belt system by Think Tank in cities. I have other bags for other purposes.

Each bag isn't quite suitable as a “perfect” multipurpose bag. Some are heavy, not protective enough in all conditions, a pain to carry all day, or scream “Steal me!” Some aren't large enough, for some shoots.

Some photography gear is a waste of money

Often photography equipment, especially a DSLR with lenses, many travelers purchase to capture high quality memories of their treks, isn't inexpensive.

Sometimes, after spending substantial cash to purchase equipment some photographers try to conserve their remaining expendable photo gear money by augmenting that gear with “inexpensive” (read that “cheap”) gear. More often than not, when that occurs, some purchases turn out to be a waste of money.

In my early years of purchasing photo equipment, before I knew what I was doing, I goofed purchasing camera bags which didn't last or meet my needs, tripods which didn't hold my camera/lens steady, and filters which diminished my image quality.

I've got a list of some of the classic purchase errors photographers sometimes make to save some money. Unfortunately, in the long run, these purchases are too expensive, because they either need quick replacement with better gear, or are permanently relegated to a drawer or closet

Choosing photography equipment bags for travel - Part I

Lately I've been getting many queries about choosing bags for travel for photography gear.

There are two major domains in which photographers, much like all travelers, carry their gear on trips; “in-transit,” and during shooting. In Part I, below, I discuss the problems of “in-transit” travel, which affects how you pack for your trip. In Part II, I'll discuss bags for carrying your gear while “in-transit.” In Part III, I'll discuss carrying your gear while shooting.

Whether traveling by bus, train, ship or plane the issues of “in-transit” travel are similar. When traveling solely by car, the traveler is restrained only by the car's capacity and the traveler's personal convenience, so I'm won't concern myself with auto “in-transit” issues.

By “in-transit” I mean when you are traveling from home to a destination, between destinations, or returning home at the end of a trip.

What is the perfect camera/equipment bag for travel?

I can answer that question which was recently posed on one of the larger Internet photography forums, quite succinctly. "It doesn't exist."

We all travel to many varied destinations, under such diverse circumstances that there is no single bag which fits everyone, or even anyone, every time.

I did some research before setting out to write this article. There are many categories of camera/equipment bags. The main ones are: shoulder bags, backpacks & daypacks, sling bags, belt systems, hip/waist packs, briefcases, satchels, and rolling bags. At B&H Photo-Video's web site, a brief survey shows they carry 592 shoulder bags and 256 backpacks for cameras and accessories. That makes 848 camera bags when I stopped counting, and I wasn't even close to half-way through all their bag choices.

When I finished counting my camera/equipment bags, it totaled 12 which include: shoulder bags, backpacks, belt systems, waist bags, a brief case, and a satchel. Some were used for a while, then discarded when they didn't meet my needs, and are now used only for storage, but I do use 2 backpacks, a belt system, and a satchel regularly, chosen mostly, at this point, according to where I'm going and what equipment I'm carrying.

Photographers have varied bag purposes, equipment, body types, and travel destination requirements. I've found that these four factors are the main ones in determining the bag(s) needed for any particular journey. I regularly use 4 different bags for my travels, according to the those four factors.

1. Bag Purpose — When I travel, I often have two diverse needs for a camera bag which must be fulfilled on a trip; hauling equipment to and from airports and hotels, as well as carrying equipment while taking photographs so they are readily accessible. In airports and hotels my equipment needs to be secure and safe, protected from the elements and potential shock or breakage, in a bag which meets the requirements of government security and airline rules. When actually hauling my equipment while taking photographs, protection from rain, dirt, wind, etc. continues to be important, but now fast access becomes critical.
2. Equipment — I don't know about you, but I travel with at least one DSLR camera body with zoom lens attached, plus a wide angle zoom, and a super zoom telephoto at a minimum. In addition, I bring along a portable battery powered hard drive, memory chips, a flash, flash bracket and cable, cable release, filters, all kinds of other accessories, plus my laptop and its accessories. They all have to make it on my trip, and some need to be carried during the shoots.
3. Body Type — I'm not a big person, and I'm not twenty any longer, but I'm in good shape. I've gotten to the point where I haul around a lot of gear and aggregately it's not exactly light. As a result, I prefer to spread the weight on my body, so most of the time when I travel, I use a backpack from airport to hotel, etc., and a belt system while shooting. I occasionally use a satchel when I'm on a day trip, and most of the time will not actually be carrying equipment, or at least not much equipment. My main problem with shoulder bags, sling bags, brief cases, and satchels is they rest all their weight on one shoulder. Other bags use more body to spread their weight. That being said, many photographers love shoulder bags for their ease of equipment access and capacity.
   
4. Travel Destination Requirements —If I'm traveling to a city, I need my bags to withstand their environment, but if I'm traveling to a rain forest, or perhaps white water rafting, I have a completely different set of requirements which includes the need for being waterproof, not just water resistant.

All the bags do have some common requirements. The bags must,

• have the capacity to carry the required equipment.
• have a high quality to handle the rigors of travel.
• have strong zippers able with withstand the torture of use during travel.
• be protective of the gear through shock-absorbing, water resistant materials.
• meet carry-on requirements of airlines if used for that purpose.
• have customizable organization in the case of backpacks and other bags, or have enough variety of modules to carry gear in the case of belt systems.
• have rain protection built into the bag which can be used as needed.
• have the capability of carrying drinking water while traveling.

Each photographer has to carefully determine their own bag requirements to find their perfect bags.