Planning to photograph the Continental U.S.' first total solar eclipse in 38 years?

As long as a year ago, many photographers made reservations to ensure they would be in the direct path of the totality of the upcoming total solar eclipse. It takes place next Monday, August 21. The last total solar eclipse seen in the Continental U.S. occurred in 1979. Fortunately for photographers the totality of the approaching total solar eclipse will be seen in parts of fourteen states, so there are plenty of places to setup one's gear to make full eclipse images.

For those unsure of what it is, a total solar eclipse is when the disk of the moon completely blocks out the disk of the sun. This will be seen in a path across the U.S. from Oregon to South Carolina, about 70 miles wide, called the “path of totality.” Outside that “path,” those viewing the eclipse will only see a partial eclipse. The further away watchers are located from the “path,” the less sun will be hidden behind the moon.

So, you're going on a Photowalk? Help yourself enjoy it!

Some might say that if you take your camera and go for a walk, you're on a photowalk. While it's true you would be making photos while you walk, it's not really a photowalk as it's known today.

These days, photowalks are organized events. They typically involve photography of a specific area or genre.

For example, I lead wildlife photography photowalks at the John Heinz National Wildlife Refuge ten months per year, as well as travel photography photowalks in Philadelphia, New York, Washington and other cities. I've also led photowalks in botanical gardens for participants to learn about and practice macro/close-up photography, in national parks for landscape photography, at night for night photography, and in cities for street photography.

A critical part of photowalks is their social aspect. Photowalks are for group of photographers, who may or may not know each other. A photowalk permits group interaction to enhance the experience by have participants help each other technically and artistically.

Some photowalks have a leader to organize and lead the walk as well as share their expertise. Sometimes a group self-organizes their own walk, such as a photography club, for a shared photowalk experience.

What is takes to make great garden photos when traveling

Garden tourism draws millions, across the world each year. Australia's National Botanic Gardens attract 400,000 visitors per year while Britain's gardens attract more than 16 million garden enthusiasts every year. In the U.S., Longwood Gardens, in the suburbs of Philadelphia, welcomes more than a million visitors each year.

Most every garden visitor can be seen documenting their visit with a cellphone, point and shoot camera, or DSLR. Some take their garden photography very seriously, using high end cameras, multiple lenses, tripods and other photography gear.

If you're interested in improving your garden photos, I've have some tips for you, about equipment, lighting, expanding and contracting your “field of view,” choosing when to shoot and three specific hints.

Getting it sharp from a telephoto

Telephoto prime and zoom lenses are among the most useful lenses for a wide variety of genres. They are used for sports, wildlife, travel, and street photography. Many photographers use them for portraits and close-up shots as well.

Technically, telephoto lenses have a focal length or 60mm or more for a standard 35mm or full sensor size camera, though most people think of telephoto lenses having a focal length of 85mm or more. Lenses with a focal length greater than 300mm are considered to be super-telephoto lenses.

Telephoto lenses help us bring distant subjects closer, fill our frame with the subject, show detail difficult to see, capture action, and produce a shallow depth of field.

Helicopter tours and great scenic photography

More and more often, I hear from travelers who, while on cruises, and land based trips, are planning to take helicopter tours at their ports of call and destinations, and convert the great views they see into wonderful images with their cameras.

Helicopter touring can provide travelers with spectacular views, amazing photographic opportunities, and a chance to visit venues unreachable by other means.

Two great places for helicopter touring are in our 49^th and 50^th states; Alaska and Hawaii. I have two favorite helicopter tours, one in each location.

Advanced Long Lens Techniques

More and more travelers, including travel photographers, are choosing destinations to see wildlife. They're interested in conservation, the environment, along with viewing and photographing wildlife in their natural habitat.

At some of these locations a good DSLR, with a telephoto lens having a focal length of 200mm will suffice, as you can get fairly close to the animals, but generally you'll need a 300mm lens or longer, and 400mm or longer could be a real help.

I found that even in the Galapagos Islands, off the coast of Ecuador, which Charles Darwin's book, “Origin of Species,” made famous, where many of the birds and other wildlife have a small “circle of fear,” you often need a lens with a 400mm focal length.

The “Circle of Fear” is the distance from an animal, inside of which, the animal has discomfort or distress from the photographer's or observer's presence, which may cause the animal to flee.

In other locations, such as an African safari, or a hike in Denali, a super-telephoto focal length of 500mm or more is virtually a “must.”

Choosing Lenses for Your DSLR Travel Kit, Part II

In Choosing Lenses for Your DSLR Travel Kit, Part I, I discussed travel photography's many challenges including luggage weight limits, number of luggage pieces permitted, locations with unknown restrictions, bad weather when you least expect it, and others.

I discussed the two major factors that influence which lenses you put in your photo travel “kit,” travel weight and volume, and the varying conditions, limitations and circumstances of your destination's photographic opportunities.

This week, in Part II, I will discuss specific lens choices for three particular travel locations and types of travel you might choose to take which you can use as exemplars.

Lenses for Travel Photography - Part VII (Lenses I use and recommend for travel and why)

This week concludes my seven part series about lenses for travel photography, I discuss the lenses I use and recommend for travel. The series is primarily meant for SLR and DSLR camera users, who can attach a variety of lenses to their cameras to support their creativity, and suit the needs of their photographic opportunities.

Currently, I primarily use a Nikon D200 for travel, which has a DX size sensor. I may be moving to an FX sensor (full size sensor) based Nikon camera later this year. For this article I’ll have two sets of recommendations for travelers, one for full size sensor based DSLRs and SLRs, and one for the smaller DX/APS-C size sensor based DSLRs.

Lenses for Travel Photography - Part IV (Lens choices for travel photographic opportunities)

This week in Part IV of my seven part series about lenses for travel photography, I’ll discuss choosing lenses for your travels. The series is primarily meant for SLR and DSLR camera users, who can attach a variety of lenses to their cameras to support their creativity, and suit the needs of their photographic opportunities.

There is a large variety of lenses: wide angle, normal or standard, and telephoto lenses, wide angle zoom, standard zoom, and telephoto zoom lenses, and don’t forget there are also zoom lenses which go across the categories as I discussed in Part III of the series. As the great American jazz and popular music singer, Peggy Lee asked in one of her famous songs, “Is that all there is?,” in the world of photographic lenses, the answer is, no.

There are also super telephoto lenses, and super telephoto zoom lenses, as well as specialty lenses such as fisheye, macro (close-up), perspective control lenses, and selective focus lenses.

Lenses for Travel Photography - Part III (Choosing between zoom and prime lenses)

This week in Part III of my seven part series about lenses for travel photography, I’ll discuss ideas you can use to help you choose between zoom and prime lenses. The series is primarily meant for SLR and DSLR camera users, who can attach a variety of lenses to their cameras to support their creativity, and suit the needs of their photographic opportunities.

Before you can choose between these two types of lenses, you have to understand the difference.

Simply put, prime lenses are lenses with a single focal length. Prime lenses come in a large number focal lengths ranging from wide angle through super telephoto.

Zoom lenses are lenses which have a variety of focal lengths within just one lens. Zoom lenses can have focal lengths which are all within one class of lens, such as the Sigma 10-20mm f/4-5.6 EX DC HSM Lens, which stays solely within the wide angle range of focal lengths. Zoom lenses can also have focal lengths which span lens classes such as the Nikon 18-200mm f/3.5-5.6 G ED-IF AF-S VR DX Lens which runs the gamut from wide angle, through normal, to telephoto focal lengths.