Photographing July 4th fireworks with your camera or smartphone

Thursday is July 4, Independence Day, in the U.S. The nation's second president, John Adams, is in large part responsible for how it's celebrated. In his July 3, 1776 letter to Abigail, his wife, he said that the day should be celebrated “with Pomp and Parade, with Shews, Games, Guns, Bells, Bonfires and Illuminations from one End of this Continent to the other from this Time forward forever more.”

The Pennsylvania Evening Post stated that in Philadelphia on July 4, 1777, “The evening closed with the ring of bells and at night there was a grand exhibition of fireworks (which began and concluded with thirteen rockets) on the Commons and the city was beautifully illuminated.”

Fireworks are extremely bright and persist for a few seconds, typically against an almost black background. Focus and particularly the exposure settings for fireworks' photos aren't straight-forward. If you're traveling in the U.S. this week, here are my fireworks' photography tips for digital cameras and smartphones.

Eclipse Alert: Total lunar eclipse coming January 20/21, 2019

On Monday, January 21, 2019 from 0236 GMT until 0748 GMT there will be a total lunar eclipse. For those in the U.S., I'll translate. The lunar eclipse will run from Sunday, January 20, 2019 at 9:30pm EST until Monday, January 21, 2019 at 2:45am EST.

In North and South America, the entire eclipse will be visible from the penumbral, to partial, to full eclipse and back again. Other parts of the world will be able to see all or much of the lunar eclipse, though much of Asia and Oceania will miss it entirely.

Planning to photograph the Continental U.S.' first total solar eclipse in 38 years?

As long as a year ago, many photographers made reservations to ensure they would be in the direct path of the totality of the upcoming total solar eclipse. It takes place next Monday, August 21. The last total solar eclipse seen in the Continental U.S. occurred in 1979. Fortunately for photographers the totality of the approaching total solar eclipse will be seen in parts of fourteen states, so there are plenty of places to setup one's gear to make full eclipse images.

For those unsure of what it is, a total solar eclipse is when the disk of the moon completely blocks out the disk of the sun. This will be seen in a path across the U.S. from Oregon to South Carolina, about 70 miles wide, called the “path of totality.” Outside that “path,” those viewing the eclipse will only see a partial eclipse. The further away watchers are located from the “path,” the less sun will be hidden behind the moon.

Secrets of photographing birds in flight: Part II

Travel to destinations to view wildlife in their native habitats is getting more and more popular. Images of flying birds are among the most coveted photos for “wildlife travelers,” because making photographs of flying birds is both challenging and satisfying.

In Part I, I discussed my secrets for shooting birds in flight covering such issues as: location, lighting, exposure, photographer's clothing, best lenses, RAW vs. JPG and more. In Part II below, I discuss my secrets about composition, focus, handholding, and using tripods and monopods.

Secrets of photographing birds in flight: Part I

Travel to destinations to view wildlife in their native habitats is getting more and more popular. Images of flying birds are among the most coveted photos for “wildlife travelers,” because making photographs of flying birds is both challenging and satisfying.

Over the years, I've learned a few secrets about wildlife photography, and how to make great images of birds in flight. I'd like to share what I've learned, which may help you make wonderful photos of flying birds for yourself.

Getting it sharp from a telephoto

Telephoto prime and zoom lenses are among the most useful lenses for a wide variety of genres. They are used for sports, wildlife, travel, and street photography. Many photographers use them for portraits and close-up shots as well.

Technically, telephoto lenses have a focal length or 60mm or more for a standard 35mm or full sensor size camera, though most people think of telephoto lenses having a focal length of 85mm or more. Lenses with a focal length greater than 300mm are considered to be super-telephoto lenses.

Telephoto lenses help us bring distant subjects closer, fill our frame with the subject, show detail difficult to see, capture action, and produce a shallow depth of field.

Avoiding Beginner Photography Issues and Mistakes Revisited

Travel photography requires versatility and knowledge of a variety of photographic genres. Beginners must be serious about learning the craft if they want to produce solid travel images. When engaged in travel photography, beginners have two major issues to overcome; a lack of confidence and a lack of basic photo knowledge.

It's hard to study and learn from practical experience when you have little confidence in your equipment. Often, when I'm leading photowalks or workshops I hear, “If only I had your gear.”

Intro to Night Photography: Cityscapes — Focus, Noise, Exposure, Effects

At night in a city, virtually any city, the scene before you changes dramatically. In some locations the architecture and spirit of the city is merely enhanced, shown with a different, though recognizable look.

In other locations, the city at night transforms into a new place, sometimes brighter and more adventurous, sometimes more alive and mysterious.

Either way, making images of cities at night can allow you to often capture a “new city” with a different life than it has during the day. Making photos at night has its own challenges, but it's still subject to the same set of constraints as daylight photography; aperture, shutter speed and light sensitivity. The difference is, these constraints often push you and your equipment “to the edge,” compared to photographing the same city during the day.

Last week I discussed night photography trade-offs and constraints, the potential of star trails at times, and the equipment needed to produce high quality night photography in cities.

This week we'll get down to the nitty-gritty of actually making our night cityscapes. We'll talk about focus, noise and camera settings

Intro to Night Photography: Cityscapes — Constraints and Equipment

At night in a city, virtually any city, the scene before you changes dramatically. In some locations the architecture and spirit of the city is merely enhanced, shown with a different, though recognizable look.

In other locations, the city at night transforms into a new place, sometimes brighter and more adventurous, sometimes more alive and mysterious.

Either way, making images of cities at night can allow you to often capture a “new city” with a different life than it has during the day. Making photos at night has its own challenges, but it's still subject to the same set of constraints as daylight photography; aperture, shutter speed and light sensitivity. The difference is, these constraints often push you and your equipment “to the edge,” compared to photographing the same city during the day.

What makes a photograph great?

It seems to never fail, that in an exhibition of photographs, there are always one or two which stand out from the rest. Even though decisions are mostly subjective about how great an image is, most people zero into the same few images they consider great.

Invariably it's not one or two characteristics of an image that make it great, but a host of them, and how they work together. Contrary to popular belief, the qualities which make a great photograph aren't a secret of professional photographers and editors. Anyone who thinks about it, can figure it out.

It's US Independence Day: Time to celebrate and photograph spectacular fireworks

Today, in the United States we'll celebrate our nation's birth. In Philadelphia, America’s birthplace and it's first capital, that means the annual “Philly 4th of July Jam and Grand Finale Fireworks” held at the foot of the Philadelphia Museum of Art tonight, where more than a half million Philadelphians and visitors will enjoy one of the country's best Independence Day concerts. This year it will star The Roots, Ed Sheeran, Nicki Minaj, Jennifer Hudson, Aloe Blacc, Ariana Grande and Vicci Martinez performing live, with actor and comedian Marlon Wayans serving as host, followed by one of the largest, most spectacular fireworks displays in the nation.

I'll be there. If you're there too, look for me south of the Art Museum.

This year I'm going to continue experimenting while photographing the fireworks. I'm going to use a variety of neutral density filters to enable me to use longer exposures, and capture more fireworks' bursts in my images. I'll be experimenting with neutral density filters which add 1, 2, or 3 f/stops to my exposure. I'll explain below what that means in terms of shutter times.

Helicopter tours and great scenic photography

More and more often, I hear from travelers who, while on cruises, and land based trips, are planning to take helicopter tours at their ports of call and destinations, and convert the great views they see into wonderful images with their cameras.

Helicopter touring can provide travelers with spectacular views, amazing photographic opportunities, and a chance to visit venues unreachable by other means.

Two great places for helicopter touring are in our 49^th and 50^th states; Alaska and Hawaii. I have two favorite helicopter tours, one in each location.

Traveling in the US: July 4th, and its fireworks are just days away

Next week, in the United States we'll celebrate our nation's birth. In Philadelphia, America’s birthplace and it's first capital, that means after a concert at the foot of the Philadelphia Museum of Art, more than a half million people will enjoy one of the largest, most spectacular fireworks displays in the nation.

I'll be there. If you're there too, look for me south of the Art Museum.

This year I'm going to be experimenting while photographing the fireworks at the Art Museum. I'm going to use some neutral density filters to enable me to use longer exposures, enabling me to capture more fireworks' bursts in my images. I'll be experimenting with neutral density filters which add 1, 2, or 3 f/stops to my exposure. I'll explain below what that means in terms of shutter times.

AE, AF, FV locks demystified

While many digital cameras today don't have an FV lock, virtually all have an AE and AF lock. Unfortunately, few digital camera owners know what these locks are, nor that their cameras have them. It's unfortunate because they are extremely useful camera features.

Here's a basic description of each lock:

• AF-L or AFL — Autofocus Lock: When using auto focusing, this locks focus even when the camera is moved to recompose the photo, prior to making the photograph.
• AE-L or AEL — Autoexposure Lock: When using any of the automatic or semi-automatic exposure modes, this locks the exposure settings, even if the light changes or the camera is moved, prior to making the photograph.
• FV Lock —  Flash Value Lock: When using an automatic setting for your built-in or external flash, this locks the power output level of the flash, even when camera is moved, to recompose the photo, prior to making the photograph.

I use these locks often, especially the AF Lock. I consider the AF Lock as essential as the ISO, Shutter Speed, and Aperture exposure controls.

It's July 4th...time for the fireworks challenge.

On Sunday, we in the US celebrate the birth of our nation. If you've traveled to Philadelphia, the nation's first capital and America’s birthplace, immediately after the Life, Liberty & You Concert in front of the steps (Some call them the “Rocky” steps from the Rocky movies in which the fictional character, Rocky Balboa runs up the steps.) to the Philadelphia Museum of Art, more than 500,000 people will enjoy one of the largest and most spectacular fireworks displays in the nation.

That’s my segue for my tips for photographing fireworks. Here’s what you need to do to capture them this July 4^th.

Photographing motion with your still camera

“Photographing motion with your still camera” sounds like an oxymoron, doesn’t it.

Actually photographing motion with a still camera can produce startling photographs showing details you can’t see with your eye, or in a standard speed video. Not only that, you can make a still photograph of motion which can even give you the feel of motion.

You can use your DSLR, SLR, or Point and Shoot camera to either stop motion completely, freeze everything in motion in your photograph, which is the option most travelers take, or you can capture motion itself, by showing a bit of a blur, where you control what’s blurred and how much blur you show.

Travelers often find “motion” photo opportunities during their journeys. This week I will discuss some basic ways to capture motion, and in a later article, discuss more advanced techniques to capture the feel of motion in a still photograph and have some fun and extra creativity while making the photos.

Night Photography: Overcoming the Obstacles, Reaping the Rewards

In last week’s article, Night Photography: Pushing the Limits, Understanding the Obstacles, I discussed some of the difficulties encountered in Night Photography.

In this week’s article, I’ll discuss how to overcome those problems to produce wonderful night images which help tell one’s travel stories.

When it’s possible to use one, the tripod is absolutely the best tool for photographers to make great night photographs. A well-chosen tripod with a quality “head” can enable photographers to hold their cameras motionless to create high quality night photographs.

Night Photography: Pushing the Limits, Understanding the Obstacles

Photography at night has plenty of obstacles, but is also full of rewards for travel photographers.

Many locations have interesting sights and looks during the day, and a whole host of different sights and looks, and another atmosphere in the evening. Las Vegas many interesting photographic opportunities during the day, but it seems as though it’s at night that Las Vegas really comes alive. The night photography opportunities in Las Vegas are almost limitless.

Another location with great night photography opportunities is the “La Ville-Lumière” (The City of Light). While Paris, France, was originally given that nickname due to its fame as a center of education and thought during the Age of Enlightenment (eighteenth century), its early adoption of street lighting (In 1828, Paris began lighting the Champs De Elysées with gas lamps. It was the first city in Europe to do so.), and its use of electric light beginning in the 19^th century for street lighting and later to illuminate monuments established the nickname forever.

Photographing from boats and ships

I don't know about you, but I like cruising. I've been on large ships and small. I also enjoy canoeing and rafting. Taking photographs from any of these craft can be a real challenge.

Viewpoints can be highly limited. On a ship you may be far above the water's surface. In a zodiac or raft, you're right at the water. Water can change light conditions, and its movement can affect the photographer's ability to capture the image desired.

The photographer's ability to transmit the scale of the image is often impared in water shots as the frame of reference relevant to the photograph's viewer is missing or unfamiliar. In addition, the environment of being in a boat or on a ship can be hostile to your photographic equipment, and taking photographs.

Take holiday travel photos like a pro: 3 insider tips

Holiday travel for family gatherings and vacations often offer unique photographic opportunities. I’ve got some help for you to conquer three holiday travel photographic challenges; fireworks, photographing elderly family members at family gatherings, holiday lights.

Whether it’s a family outing to Disney World, New Year’s Eve in Times Square, or great family holidays at Grandma’s, you don’t want to miss saving any special memories with your camera.

Wherever you’re traveling, there will probably be fireworks to bring in the new year.

Whether you’re using a DSLR (Digital Single Lens Reflex Camera) or a Digital Point and Shoot Camera (DPS), or even a film camera, to get great fireworks photos you need a tripod. Get one which fully supports the weight of your camera and lens. As a pro photog, I have an expensive carbon fiber tripod for my heavy DSLR, with attached long telephoto lenses weighing several pounds. If you have a light weight DSLR, or a DPS camera, you can purchase a very workable tripod for $70-$130.

If you’re using a DSLR, get a cable release, and use it to release the shutter. Whatever camera you’re using, turn off the flash.

You’ll need to go to manual focus, and set your distance to infinity. I suggest you use a normal to wide angle lens, or setting on your camera. Set your ISO (sensor sensitivity to light) to 100, or the lowest available setting above that. Set your camera mode to manual. You might think the lens aperture should be wide open, as it’s dark at midnight, but you’re taking photos of fireworks, which are very bright lights, so set your lens between f/8 and f/16. Start by taking your photo with the shutter open for a second or two. Look at the photos in your camera, and then adjust how long you keep your shutter open accordingly. You can do this by setting the shutter to bulb on most cameras. Consult your manual about this.

Many will be traveling to spend time during the holidays with parents and grandparents. Photographs of the elderly can be difficult, but special consideration of them can make a difference.

When indoors, try using the available light in rooms instead of the harsh light of a flash. Straight on light from a flash can make an elderly person’s skin look outer-worldly, and bounced flashes can produce unwelcome shadow and skin detail. If you need more light when inside, try to move your subject near a window. If you’ve got a Point and Shoot camera, and you’ve got to use a flash, go ahead. It’s better than missing a great shot. If you have a DSLR with a separate flash, put a diffuser over it if possible.

To get wonderful photos of grandparents, engage them to reminisce about their lives. You’ll be able to capture their spirit as they smile, laugh, or even shed a happy tear about their life experience. Consider focusing in on their smile, eyes, hands, and profile. Capture them interacting with family members.

Take photos of them where they are most comfortable. For my grandmothers, that would have been in the kitchen or at the dining room table. For my dad, that’s in the den, or out on the golf course. Taking a walk with them, if they’re able, can produce great photo opportunities.

Many of us enjoy looking at and photographing holiday lights on buildings. At some travel destinations the lights can be spectacular. At Walt Disney World’s Magic Kingdom, Cinderella’s Castle at the holidays is bathed in more than 200,000 tiny white lights, making its exterior shimmer, as if it’s made out of ice.

Rule one, to get good pictures of holiday lights — Turn off your flash! I repeat — for most pictures of holiday lights, turn off your flash!

I said most, but for some situations you’ll want to use a flash. If you want to get an indoor shot of the family Christmas tree, you’ll probably need a flash to see the ornaments in your photo. If all the family’s children are posing under the tree, you might use your flash, but you might find the Christmas-tree lights are sufficient, and give a beautiful luminescence to their faces in the evening. In the morning, you might find the glow from the sun through the window perfect for a photo.

Outdoors on houses, stores, and streets, to capture the lights, don’t use a flash. Try shooting at twilight. You’ll capture some color in the sky, and detail in buildings, rather than the pitch-black tone which comes later in the evening.

Set your ISO at 100 for holiday lights photos. It eliminates the noise in the shots to get pleasing photos. When you use a low ISO for outdoor holiday lighting, that generally means your exposure will be long enough that the photos will require you to use a tripod, or at least find a way to strongly brace the camera in your hands. I suggest you use a tripod, if possible.

Enjoy the holidays!